Amazing Spider-Man is the a next generation. This is a generation of Spider-Man after the original by Toby Maguire. However in this set of Spider-Man the cast is Andrew Garfield who is Peter Parker. In the movie they changed a lot of aspects. Such as Gwen Stacy being the love of Peter, the way Peter got his powers and many more, this led to a whole new story but showed more a sense of belonging. The amazing Spider-Man talks about a child who lost his parents at a very young age. This leads him to stay in his uncle and aunts place. From there Peter lived his life. He enjoyed science as a subject and had a good relationship with his uncle Ben. After living life. Peter tries to find out more about his parents, especially of his father who worked in a place called Oscorp and also to go to the lab of Dr. Curt Connors, his father's former partner. From that moment it changed everything. As Spider-Man ( Peter Parker) is set on a collision course with Connors' alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero and to protect his city. Overall is enjoyed this movie as a young boy and admired the new aspects of how they changed Spider-Man.

they look preety good

That can be very interesting due to the aspects of saving many homes/ towns in many counties hope it turns out well

I'm glad that no one was hurt, but I wonder if that'll stay the same in the long run, with all of the space debris + uncontrolled substances in our atmosphere at the moment. I really hope that the debris doesn't hit the International Space Station, and that we do get to explore space a bit more! It would be a shame to be grounded, after all of the hard work in the 'sixties and seventies.

Dazzling and brilliantly executed, The School for Good and Evil manages to be both heartwarming and seriously sweet. It's a middle-grade novel written by Soman Chainani, and it utilizes fairy-tale tropes to excellent effect –– it had me giggling for a while, because this is exactly the type of light-hearted, snappy humor that always makes me laugh. Sophie and Agatha, the two protagonists, represent why teenage girls shouldn't be taken lightly––they are characters that grow on you, and they are characters that grow with you. Like Shrek and other fairy-tale adaptations, The School for Good and Evil stays true to its roots. It's true that female villains are often the most delightfully wicked of all, and I especially liked how earnest Sophie's very turbulent, atypically teenage emotions were exploited––it was very real, and her motives were explained in a way that made sense. I think I would consider this a "light read," because it was coming-of-age and just very adorable, but––there was a lot of surprisingly hidden depth, lurking under the surface. Digging up the history and the world-building was enlightening, and the writing delves into answering some philosophical questions: What is the true nature of friendship? What even is "good and evil," exactly? What choices really matter in the long-run? We don't live in a world with castles and brambly forests and fairy-tale heroines, but that's the point––we can apply the lessons and questions from The School for Good and Evil and use it in our own worlds, in our own surroundings, in our own situations. I will tell you this: by far, the most important lesson that the School for Good and Evil strived to teach is that your nature is self-determined. We are not inherently good or evil, and we do not have to be what people expect us to be. We are more than capable of breaking out of our molds, and blazing our own paths into the future––in the real world, we can't travel back in time, but there is always (always!) room for change inside our souls.

Dazzling and brilliantly executed, The School for Good and Evil manages to be both heartwarming and seriously sweet. It's a middle-grade novel written by Soman Chainani, and it utilizes fairy-tale tropes to excellent effect –– it had me giggling for a while, because this is exactly the type of light-hearted, snappy humor that always makes me laugh. Sophie and Agatha, the two protagonists, represent why teenage girls shouldn't be taken lightly––they are characters that grow on you, and they are characters that grow with you. Like Shrek and other fairy-tale adaptations, The School for Good and Evil stays true to its roots. It's true that female villains are often the most delightfully wicked of all, and I especially liked how earnest Sophie's very turbulent, atypically teenage emotions were exploited––it was very real, and her motives were explained in a way that made sense. I think I would consider this a "light read," because it was coming-of-age and just very adorable, but––there was a lot of surprisingly hidden depth, lurking under the surface. Digging up the history and the world-building was enlightening, and the writing delves into answering some philosophical questions: What is the true nature of friendship? What even is "good and evil," exactly? What choices really matter in the long-run? We don't live in a world with castles and brambly forests and fairy-tale heroines, but that's the point––we can apply the lessons and questions from The School for Good and Evil and use it in our own worlds, in our own surroundings, in our own situations. I will tell you this: by far, the most important lesson that the School for Good and Evil strived to teach is that your nature is self-determined. We are not inherently good or evil, and we do not have to be what people expect us to be. We are more than capable of breaking out of our molds, and blazing our own paths into the future––in the real world, we can't travel back in time, but there is always (always!) room for change inside our souls.

After watching the Maze Runner movies, I was interested enough to want to delve into the books, so I began the adventure with this one. We are immediately thrown into the fray, following a kid named Thomas who has no memories, just like every other "shank" in the glade. Dashner creates a mostly fascinating book, with strong characters, and I think he did a good job on it, but it almost feels as if it's missing something. I would say the thing The Maze Runner lacked most of was, as a reader, I somewhat feel a bit detached from the characters. But overall, this was a nice dystopian novel, and I'd recommend to anyone in middle school and above who's looking for a sound read.